Feels Like

platonic lovefriendshipbelongingpandemic intimacythe ineffable

The Song That Starts With a Sigh

Most albums open with a statement of intent. They reach for the biggest sound, the most assertive mood, the clearest declaration of what the next forty minutes will be about. Gracie Abrams did something stranger on This Is What It Feels Like: she opened the whole EP with a song about her best friend. Not a lover. Not a heartbreak. Her best friend Audrey, and a mostly unremarkable train ride from New York City to Fairfield, Connecticut, undertaken for the express purpose of seeing a movie based on Harry Styles fan fiction. This is "Feels Like," the first single and opening track from her 2021 EP, a song that is quietly radical in its insistence that the most overwhelming feeling in a young person's life might not be romantic love at all.

A Train, a Movie, a Friendship

The origin story of "Feels Like" has the kind of accidental sweetness that sits just outside the reach of most concept-driven songwriting. In interviews around the song's release, Abrams described writing it specifically for her friend Audrey, inspired by a shared trip from New York to the nearest Connecticut city showing a fan fiction film adaptation.[1]

The trip was inconvenient by design. The movie wasn't what mattered. What mattered was the fact that Audrey suggested it, and Gracie went, and the whole day became the kind of ordinary-extraordinary memory that defines close friendship: the sort you tell people about later, almost apologetically, because the reason for the trip sounds ridiculous but the feeling of being there together remains vivid and irreducible.

Abrams described Audrey as "definitely one of my soulmates on this planet," saying that whatever they do together becomes, almost automatically, the best time.[2] She also spoke candidly about having very few close friends in general, estimating four people she would call if she were going through something serious. That selectivity makes the devotion in "Feels Like" more legible: this is not a generalized celebration of friendship but a precise tribute to one irreplaceable person.[2]

Feels Like illustration

The EP's Emotional Anchor

"Feels Like" arrived as the lead single on October 1, 2021, several weeks before the full EP was released on November 12, 2021 through Interscope Records.[3] The decision to lead with this song, rather than one of the more emotionally turbulent tracks that follow, says something deliberate about how Abrams wanted the project to be received.

The EP was written during a period of recovery. In an interview with Office Magazine, Abrams said that two years prior had been tough, and that by the time of the EP she finally felt back in her body.[4] She described songwriting as rooted in feelings that stick out so acutely that just talking about them wasn't enough. By putting "Feels Like" first, she established warmth and intimacy as the baseline before the harder introspection to come.

A review from WRBB 104.9 FM identified the track as setting the emotional tone for the whole EP through its focus on intimacy, loyalty, and companionship, a sense of emotional security that the subsequent songs would spend a long time questioning and complicating.[5] "Feels Like" is the feeling the narrator is trying to get back to. The rest of the album is the attempt.

The Pandemic as Backdrop

There is a second layer of context that Stereogum's Chris DeVille drew out in his review: the pandemic-era anti-social sentiment running through the song's imagery.[6] By 2021, many young people had spent long stretches in small spaces with very limited social contact, discovering which relationships were truly essential and which were merely habitual. The feeling of being completely satisfied not leaving an apartment because the right person is already in it would have been recognizable to an entire generation of listeners who had just lived through that exact experience.

Abrams was living in New York during this period, having left Barnard College after her first year to pursue music.[3] The city's peculiar combination of density and isolation during lockdown gave the song's intimacy a specific texture: the sense that the whole external world could recede, and a friendship could become its own self-sufficient universe. The train trip to Connecticut would have felt like an adventure in that context, a minor expedition that registered as something larger precisely because there had been so little else.

What Platonic Love Sounds Like

The production on "Feels Like" was handled by Blake Slatkin and Carter Lang, with Abrams herself as co-producer.[3] Where the four tracks Aaron Dessner contributed to the EP lean into a more explicitly folk-inflected palette (folk-flecked guitars and skittering electronics, as NME described them[7]), "Feels Like" operates in a warmer, more intimate register that reviewers identified firmly within the bedroom pop tradition.

A review at Ones to Watch noted that the song opens with an exasperated sigh before building through what they described as free-flowing poetry into iridescent electronic textures, eventually stripping back to softly sung lyrics that move between bittersweet reflection and a quality approaching lullaby.[8] That arc is not incidental to the meaning: it mirrors the emotional shape of deep friendship itself, which begins with a sigh of relief, expands into shared experience, and eventually simplifies into a quieter, more durable warmth.

Stereogum coined the phrase "the professionalization of bedroom-pop" for the EP's overall sound, noting the central irony that it sounds like it came from a very expensive bedroom.[6] On "Feels Like" specifically, that polished intimacy serves the subject perfectly. This is private music, music for rooms and small circles, and the production communicates that as clearly as the words do.

The Language We Don't Have

Pop music has always been about love, but it has almost always been about romantic love. Friendship does not get the same treatment: it rarely generates the longing, the obsession, the lyrical excess that romantic attachment does in mainstream song culture. "Feels Like" is a rare exception, a song that deploys all the intensity and devotion of a love song in service of a platonic relationship.

That choice was deliberate and felt like relief. Abrams told Amplify Her Voice that writing "Feels Like" came from a period when her romantic life was quieter, and she found that honoring her friend in song felt good in a way that processing yet another breakup did not.[2] There is a candor in that admission that extends to the song itself: the feeling described is overwhelming, it resists reduction, it comes from somewhere the singer cannot fully explain. And crucially, she doesn't require the romance framing to justify its intensity.

That is the quietly radical move underneath the song's sweetness. It refuses the hierarchy that places romantic love above all other forms. The feeling is complete on its own terms, and it doesn't need to become something else to be valid.

Ambiguity and Alternative Readings

Of course, the song exists in a culture where the vocabulary of intense devotion has been so thoroughly associated with romance that some listeners hear something more than platonic love in it. The feelings described (the sufficiency of one person's presence, the transformation of ordinary experiences by their company, the sense that being with this person is its own complete world) are not feelings that apply only to friendship.

Euphoria Magazine described the song as a whimsical ode to simple romance, reading it through an entirely romantic lens.[9] That reading is actually a useful one: it suggests how successfully the song captures an intensity of feeling that exceeds the categories we usually put it in. The blurry boundary between close friendship and something less classifiable is part of what the song is about.

The Young Folks' review of the EP noted that across all its tracks, the central question is always how the narrator feels about herself in relation to others, not merely how others feel about her.[10] "Feels Like" is the one track where that self-awareness takes a joyful form rather than an anxious one: here, the narrator's sense of herself is amplified and clarified by the presence of someone who knows her completely.

The Title as the Whole Argument

The title does most of the philosophical work. "Feels Like" is not "Is" or "Love" or any other declarative: it is an approximation, a reaching toward something that doesn't have an exact name. The feeling of this friendship, the song suggests, approaches the sublime the way only certain experiences can. You can point at it, describe its texture, trace its edges, but you can't reduce it to a proposition.

For an opening track, that is a significant statement. It announces that this EP will be about the attempt to articulate inner states that resist articulation, about feeling things precisely but lacking the language to be fully precise about them. The title of the EP itself echoes this: This Is What It Feels Like, not "This Is What It Is." The entire project is organized around the gap between experience and expression.

"Feels Like" earns its place at the front of the record because it establishes that gap in its warmest possible form. The uncertainty is comfortable here; the ineffability is something to rest in rather than be troubled by. Later tracks would revisit the same gap from darker angles, through anxiety, self-doubt, and the fear of losing people. But here, at the beginning, not quite being able to name it is just part of the feeling.

References

  1. Coup de Main - Gracie Abrams Interview (Feels Like) β€” Abrams describes writing Feels Like for her best friend Audrey, inspired by a train trip to Fairfield, Connecticut to see the After film adaptation
  2. Amplify Her Voice - Gracie Abrams Interview β€” Abrams describes Audrey as a soulmate, discusses having very few close friends, and expresses relief at writing about friendship rather than romance
  3. Wikipedia - This Is What It Feels Like (EP) β€” Release information, production credits, chart performance, and track listing for the EP
  4. Office Magazine - Gracie Abrams Interview β€” Abrams describes feeling back in her body after a difficult period and her approach to songwriting as a way to process feelings that resist ordinary conversation
  5. WRBB 104.9 FM - This Is What It Feels Like Review β€” Review noting Feels Like sets the emotional tone for the EP through its focus on intimacy, loyalty, and companionship
  6. Stereogum - The Week in Pop: The Professionalization of Bedroom Pop β€” Review coining the phrase professionalization of bedroom-pop and noting the pandemic-era domestic sentiment running through Feels Like
  7. NME - Gracie Abrams Interview (This Is What It Feels Like) β€” Abrams on working with Aaron Dessner, whose folk-flecked production with skittering electronics added new depth to her songwriting
  8. Ones to Watch - Feels Like (Single Review) β€” Single review describing the song arc from opening exasperated sigh through iridescent electronic textures to a lullaby-like ending
  9. Euphoria Magazine - Feels Like Review β€” Single review reading the song as a romantic ode, illustrating the emotional ambiguity at the heart of the track
  10. The Young Folks - This Is What It Feels Like Album Review β€” Review noting the EP's consistent focus on how the narrator relates to herself across all her relationships